Albums of the Year, 2010

Bonnie Prince B and his funny folk.

The following are in no particular order, a glance at previous years’ lists having confirmed that allocating a number next to any one album results in an arbitrary ranking of no long term significance. Fewer ‘reviews’ this year too, as finding fresh rhetorical ways to convey a pleasure in what are often the same bands (reflecting an increasingly static taste) becomes an annual challenge I’m losing the will to confront. Also, when I read a year-end list at a worthy, knowledgeable website like The Quietus, I get the feeling that, in any case, I’ve probably been listening in all the wrong places. Or maybe there really is nothing much of note released nowadays that can impress a mid-life indie-pop. After all, my favourite release of the year isn’t on this list because it was the boxed set re-issue of the entire Orange Juice back catalogue from the early 1980s, Coals To Newcastle. So it’s a rough Top 11, followed by a list of secondary choices.

Bonnie “Prince” Billy & The Cairo Gang - The Wonder Show Of The World (Drag City)
Another year, and another wonderfully realised record of melodic narratives cloaked in raw, emotive beauty. Track to try: Troublesome Houses.

Sun Kil Moon - Admiral Fell Promises (Caldo Verde)
Shhhhhh... Soothing gorgeousness now comes with sporadic flamenco guitar riffs. But they work wondrously, as do most things created by a man in a perennial audition to play the soundtrack to Eternity. Track to try: Third and Seneca

Gayngs – Related (Jagjaguwar)
A gift box of styles and surprises built on a glowing fire-bed of compelling hooks. Track to try: The Gaudy Side of Town

Phosphorescent - Here’s To Taking It Easy (Dead Oceans)
Wins the award for least agit-prop album title since Black Lace’s last party LP. This record also more than makes up for the absence of any Jason Molina/Magnolia Electric Co. output this year, though it’s inspired enough by the latter to stand alone as an Americana landmark. Track to try: Los Angeles

Laura Veirs - July Flame (Bella Union)
Seventh album of fluttering, quirky brilliance could even be her best yet. Track to try: Life Is Good Blues

Books of the Year, Part 2 - Non-fiction

Some books,
 earlier today.

I used to read nothing but novels. Then I veered in the other direction, until I realised that much as I enjoyed biographies and history books, I could never remember much about them once I’d finished. So now I mostly read fiction again, and the non-fiction I pick up is only stuff that I really, really want to read. And that’s why this list is shorter than the Fiction list. And why I don’t know as much as I should do about important historical events, but I can tell you the names of all the albums that The Raincoats released on Rough Trade records.

Document and Eyewitness – An Intimate History of Rough Trade by Neil Taylor (Orion Books)

Clearly you’d have to be more than interested in British indie-pop in the late 70s and 1980s to get much out of this. But the anecdotal rewards are deep if The History of Rough Trade would be your chosen specialised subject on the fading leather jacketed saddo’s version of Mastermind. Once you’re past the ponderous intro (and I’d rather have had an index than the footnotes), the stories and their characters take you right back to a time when you didn’t have to give a shit about anything besides drinking, music, and appearing to know what you were on about (I gave up on that one in the end).

Books of the Year, Part 1 - Fiction

Not yet a Kindle convert

I’m usually about three years behind current releases, but due to a more conscious effort to read The New York Times Book Review (rather than putting it in a pile to be ‘read later’ - another phrase for ‘recycling’), and a couple of nice presents, I somehow managed to read a lot of novels this year that actually were published in 2010. Before this thrilling news completely overwhelms you, let me get on with recommending them, in approximate order, and adding a sample quote from each book that may lure you to further exploration:

Salvation City by Sigrid Nunez (Riverhead Books)

I like post-apocalyptic books, if they’re not too apocalyptic. This book takes place in a tiny southern Indiana town after a flu pandemic has wiped out millions worldwide, and follows Cole Vining, a 13-year-old orphan of liberal, urban parents, in his new life with ex-alcoholic, self-appointed Pastor Wyatt and his kind but ill-educated wife. Despite all the anguish of death, separation and relocation, the likeable but complex kid still has the hots for an unattainable 16 year old, and that keeps him as mentally busy as multiple other conundrums of faith and fate. Beautifully written.

Comics, Tuck And Cricket

Boys are easily pleased.

Can you ever take the little boy out of the middle-aged man? Would you ever want to? Last night, with the kids in bed and Mrs. Pop out on the lash with her mates (at least that’s what she told me), I did what I always do when left to my own devices and reverted to a much younger version of myself. I found a live stream online of the second test match from Adelaide, and sat down to watch several hours of uninterrupted cricket. But that wasn’t all. I had my comics too – the latest issues of Private Eye and the wonderful Groundtastic magazine. And my tuck – a health-defying combination of cheese and onion crisps, Lindt milk chocolate, and Tyrconnell Irish single malt whiskey. Oh, and some indie-pop as well, of course. The latest Sufjan Stevens album provided the soundtrack. Only deep fatigue finally forced me away from my amusements and up to bed.

Today, Mrs. Pop headed abroad on business travel. The kids are back at school tomorrow, so they will need an early night. With two days of the test match left, I wonder what I’ll do this evening? Maybe contemplate further the fact that, after three and a half decades of generic life experience, there’s not much difference between myself aged ten, and myself aged 45. We men are really not all that difficult to please.

Great Suburban Traditions: Number 10 – The Leaf Blower

I often complain that suburbia’s too quiet, even though the human desire for silence and inertia is the main reason that suburbia even exists. And just because it’s quite, that doesn’t mean it’s peaceful. In autumn especially, semi-urban dwellers seem able to tolerate a profoundly jarring kind of noise annoyance – the almost ever-present, soul-gnawing monotone of the leaf blower.

Yesterday, on a beautiful and still Sunday afternoon, and in a rare show of decadence, we were sitting in a friend’s hot-tub enjoying the end of the long weekend, casually chatting and, as it happened, quaffing Moet Chandon as the sky around us slowly changed colour behind the silhouettes of spindly, naked trees. It should have been perfect, but a couple of gardens away someone had decided to take out their anger and grief at another Redskins’ loss by clearing the garden of leaves. We got to enjoy his motorised penile extension’s buzz-saw growl and the olfactory consequence – wave after wave of gasoline wafting across the fence.

Throwing Memories

David Narzico, by an amateur photographer

I'm reading Kristin Hersh’s memoir Rat Girl, which is just the book to take you back to 1985 in Rhode Island and Boston, inside the head of a funny, sassy, precocious teenager diagnosed as bipolar and writing some of that decade’s most thrilling, frightening music. It’s also prompted me to unearth the photograph above, my one and only experience of trying to take ‘proper’ pictures at a concert.

It shows Throwing Muses drummer David Narzico at the Town & Country Club in March 1991, the month that Hersh’s band released their stunning album The Real Ramona. My friend and chronically untidy house-mate Tim Bradford was working for Amateur Photographer magazine at the time, and was always bringing home new cameras to try out and abuse. We took along one each, and smuggled them in to the venue, then edged our way to the front. The cameras must have looked fancy, because people kept making space for us, like they thought we were real photographers. That the above picture was my best shot testifies to the fact I didn’t go on to make a career out of it (nor anything else, for that matter).

The Vinyl Comeback

Slithers of plastic in
cardboard sleeves. Mmmm...

It’s not often that middle-aged bores welcome prevailing trends, and when we do they’re usually revivalist in nature. That’s why the comeback of vinyl is to me the perfect atavistic riposte to my daughters’ way of collecting music by pressing a single button on a computer. After years of watching my favourite record and second hand shops close down one by one, my tender heart is fortified by the sight of the expanding LP sections in the few worthwhile remaining DC area music outlets. These are heavyweight, artfully manufactured items of beauty to be handled like precious antiques. They’re way too dear as well, of course, but you pay for what you value, and they could be just what the surviving emporia need to remain in business.

And so I’m slowly ceasing to buy CDs and switching back to vinyl instead. You get the MP3 download coupon into the bargain, so if you’re really anal, you never have to actually play the LP, you just preserve it. But that’s not right. When records were prematurely written off two decades ago, we purists tediously cited the ritualistic joy of carefully removing the record from its sleeves before executing with immaculate precision the act of dropping the needle on to the opening grooves. Even those of us who’ve developed the shakes find that our hands become miraculously steady when faced with this hushed ceremonial moment.

The Liberation Of Punishment

Readers who can be bothered to scroll down the page will find an entry from June telling of my heroic endeavours to defend football referees via a letter to The Washington Post. Back in March, I also wrote about the trials of referees like myself dealing with loud-mouthed parents and coaches who love to combine a borderline unhinged psychosis with an ignorance of the game’s laws. You may notice that I never criticised players in all this. That’s because I still step out on to the field to play at weekends, equipped with fading fantasies about the extent of my visibly diminishing footballing capacities. And because, in this role, I can still have the odd problem with a poor referee.

Like yesterday, for example, when I received my first red card in 36 years of playing. I reckon I’ve taken part in maybe 700-800 games without being ordered off the field. I’m overwhelmingly level-headed – if I’m the captain I tend to rush over to a hotspot to calm things down. If I’m not the captain, I’ll stand back with an air of detached superiority, perhaps shaking my head in the manner of one who knows so, so much better.

More Ways To Spend It

The last time I wrote about the How To Spend It supplement in Mrs. Pop’s Financial Times, I made a predictable assault on the easy target of high-end luxury goods. Clearly the editors read this blog, as they seem to have stopped aiming the glossy sheet merely at multi-millionaires, and have factored in the ridiculously rich as well. Several items featured in today’s edition will cost you less than four figures (the Gentlemen’s Tonic Mayfair Shaving Set is just £150, for example), and the cost of telling the time is down too – while last December’s featured timepieces showcased a £1.6 million wristwatch from Jaeger-LeCoultre, this month’s Bell & Ross rose gold Power Reserve Watch (on an alligator strap – this watch was hunted) is almost given away at £14,300.

Help for those burdened by cash

But what the September issue lacks in preposterously lavish material goods, it more than makes up for with unblushing pretension. First up is a Q&A interview under the moniker The Aesthete, with literary and talent agent Caroline Michel, whose “clients include Jeanette Winterson and Simon Schama”. Impressed? I was, once I’d googled the latter and found out who he was. You don’t know? He’s a university professor of art history and history, you moron.

What was the last thing that Ms Michel bought and loved? “A pair of early-19th-century French naïve flower paintings, after being driven mad by the desire to own a Van Gogh when I was at the recent exhibition at the Royal Academy.” One does get driven mad by the desire to own a Van Gogh, doesn’t one? Drives one absolutely fucking crazy.

Reality Python

Where John Cleese answers the phone

Mrs. Pop phoned our favourite Tex-Mex restaurant the other night, Uncle Julio’s Rio Grande, to ask for a table. They don’t take reservations, but you can phone before you set out and put your name down to avoid waiting around outside on the pavement.

It was seven o, clock, and she asked if we could get a table at 7.45. No, she was told, you have to phone half an hour before you want your table. We’re about to set out on our bikes, she said. Could you please just put us down for 7.45? It’s not easy to use a cell phone on a bike. No, it has to be half an hour before. She should call back in 15 minutes.

What about 7.40, asked Mrs. Pop, always keen to compromise (except in the odd domestic matter)? No, it has to be 30 minutes. Okay, she said, if it has to be 30 minutes we’ll go for 7.30 and pedal really hard.

Sorry, said the girl, there are no tables free for 7.30. The earliest I can get you a table is 7.45.

Yes, that will do nicely, thanks.